A Review of Emily Brontes Wuthering Heights - 749 Words

The opening of Wuthering Heights by Emily Brà ¸ £Ã  ¸â€"nte intrigues the reader immediately as we meet Heathcliff and learn about his lonely and misanthropic life at Wuthering Heights. Heathcliff, undoubtedly, is an intriguing character whom comes across as a sort of misfit as he is completely isolated from society. This character is completely the opposite of others in the novel and he seems to be symbolic of the uncivilized life. The moors, in general, is a symbol of this type of life as well and they seem to be a whole other character in the novel as important as the human beings who inhabit their surroundings. The moors are a lot like Heathcliff rough, dangerous, uncivilized and untamable. The ghost of Catherine appears early on in the novel and we come to understand the type of relationship Heathcliff had with her and that the relationships was a young type of immature love that they shared. It is interesting that Catherines ghost always appears in a childlike form, which impl ies that Brà ¸ £Ã  ¸â€"nte wanted to illustrate how important her early relationship with Heathcliff was. She and Heathcliff never grew out of the young love they shared and the sort of rebellion against those around them whom were older and perhaps stood in their way. Catherine comes back to her childhood environment as Heathcliff has kept it the same over all the years. In the first five chapters of the novel, the reader gets to know the relationship between Heathcliff and Catherine on quite an intimate levelShow MoreRelatedThe Uncanny And Emily Bronte s Wuthering Heights1746 Words   |  7 PagesAssessment 1: Critical Commentary Freud’s The Uncanny and Emily Brontà ©Ã¢â‚¬â„¢s Wuthering Heights The principal idea in Sigmund Freud’s interpretation of The Uncanny theory centres around the Heimlich, translating to ‘homely’ and thus, what is familiar, and the Unheimlich, which is often translated to what is ‘Uncanny’ defined as ‘what is [†¦] frightening precisely because it is not known and familiar’ (Freud, 1919) or later described as something that is ‘secretly familiar which has undergone repression’Read MoreWuthering Heights, by Emily Brontà «1865 Words   |  8 Pagesdevilish, preternatural passion that tamer beings can scarcely recognize as love.† (Duclaux) Wuthering Heights by Emily Brontà « is considered a masterpiece today, however when it was first published, it received negative criticism for its passionate nature. 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